May 22, 2017 Armand Dijcks’ cinemagraphs are waves on infinite loop

Created by Dutch cinematographer Armand Dijcks and Australian photographer Ray Collins, ‘The Infinite Now’ is a short film composed of breathtaking cinemagraphs of ocean waves, heaving and crashing in perpetual motion.

Each cinemagraph is created using one of Collins’ own still photographs, setting the image in an infinite loop of sea, salt and sky.

Captured in intricate detail, one might at first be fooled into thinking the moving image is a slow motion video shot. In reality, the footage is a composite of different still images, arranged in a perfect loop, where beginning and end is not always clear.

The resulting vignette is defined by a continuous sense of movement that encapsulates the beauty and strength of the ocean.

Armand Dijcks created the pieces by manipulating Ray Collins’ still images in Adobe After Effects, before using Flixel Cinemagraph Pro to complete the animation. Explains Dijcks:

‘It helps to visualize in my head how the wave would move in real life, as I only have a still image to work with, and no video reference.’

‘The nice thing about this technique is that it lets you take an infinitesimal sliver of time, and see it in motion indefinitely. When I showed some of these cinemagraphs to André Heuvelman, trumpetist at the Rotterdam Philharmonic Orchestra, it inspired him to get together with pianist Jeroen van Vliet to create a bespoke soundtrack for this cinemagraph series.’

Peter Corboy
is a staff writer for Designboom
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